Night
Whale toured Northwest lounges and night clubs for the next two
years. This was a time of growth for the group, and the
development of a unique style led to the recording of our first
album, 31 Foot Ketch. I messed things up, though, when I
moved with my young family to Marysville, Washington to take a
teaching job in 1978. Plans to release 31
Foot Ketch were scrapped, and we've never lived in the same
town since. But somehow, the music continued to survive and grow.
The
group was back together in the summer of 1978 for the recording of
Nina's solo album, Dream Flight.
Several successful concerts
accompanied the release of the album, and Phil and Nina again hit
the road to play full-time. First with the Kaufmann-Helton
Trio, then as Interplay, they performed up and down the
west coast. Ken appeared with them frequently enough to keep
Night Whale remembered.
Then in 1981, as Phil and Nina settled in Corvallis, Oregon, Night Whale was reborn in concert at the Old Worlde Centre. For the next six years the group performed regularly at coffee-houses, bars, concerts and festivals, and released two albums of live recordings: Night Whale: 10 Year Anniversary and Traditions. At the same time, the musicians were growing in other directions. Nina immersed herself in her piano arrangements. Nina and Phil began experimenting with jazz standards. Phil continued his study of classic guitar. I continued writing new songs and began performing with The Rondos, a classic rock group.
Finally, in 1996, Night Whale decided to head for the studio once again. The intent was to catalogue our twenty years of music as a keepsake for our families, but producer Martin Race encouraged us ... (actually he leaned on us pretty hard) ... to produce a commercial album, and as a result, we released the compact disk Soundings in December of 1997. The energy and enthusiasm generated in the studio even led us to return to live performance a short time, despite the fact that we lived 300 miles apart.
So
that's Night Whale. "Night Whale Productions" is a business entity we started to, well, take care of Night Whale's business. When I had the opportunity to begin producing solo albums, it was just easier to keep the same business entity. And besides, I really wanted to remember, and honor, all that Night Whale meant to me as I developed my own musical style.